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Annabelle Pangborn

Head of Subject

Annabelle trained as a musician and composer at the London College of Music, and as a filmmaker at the Royal College of Art. She has worked extensively in film and television as a composer and sound designer on award winning drama, documentary, dance film and experimental animation.

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About

Annabelle trained as a musician and composer at the London College of Music, and as a filmmaker at the Royal College of Art. She has worked extensively in film and television as a composer and sound designer on award winning drama, documentary, dance film and experimental animation.

Annabelle trained as a musician and composer at the London College of Music, and as a filmmaker at the Royal College of Art. She has worked extensively in film and television as a composer and sound designer on award winning drama, documentary, dance film and experimental animation. Collaborations include work with Penny Woolcock (The Death of Klinghoffer) Sarah Turner (Cut, London Birds Can’t Fly), Beeban Kidron (Alice Through The Looking Glass; Murder) Simon Pummell (Secret Joy; Temptation of Sainthood; Butcher’s Hook;) and Ilya Khrzhanovskiy (DAU). She is also a writer and has produced films through her own production company and released through Columbia Tri Star (Stung, dir. S. Williams) and the BFI (Once Seen, dir. S. Williams).

Annabelle’s research focuses on the theatre of haptics and performative narratives alongside a developing study of ASMR (Autonomous Sensory Meridian Response) and the textural power of the human voice.

She has been a guest speaker and consultant for the School of Sound in London, Europe and Asia. She was formerly Head of Editing, Sound and Music progressing and Head of Full Time Curriculum at the National Film and Television School, UK. She has taught throughout Europe and America including ifs International Filmschule, Cologne; ECITV, Cuba; Binger FilmLab, Amsterdam; Porto Digital, Brazil; La Femis, Paris; NRK, Oslo; KASK University of the Arts, Ghent; and Med Film Factory, Jordan. She was appointed Director of the Northern Film School in 2017.

Publications (9)

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Film, Digital or Visual Media

Maneland

Featured 2018
Composition

Audio recordings of vocal narrations

Featured 31 July 2024

Examples of spoken word recordings used for voice over in film, audio book narrations and podcasting.

Journal article

Working title: The psychology of past lives and voice in mise en scene and self-narrative

Featured 09 December 2024 TBC
Presentation

Deep Listening: Sound narrative and Abstracts

Featured 09 January 2024 National Film and TV School, London

Masterclass presentation for the National Film and TV School

Presentation

Voice in Sound and Music

Featured 10 January 2023 National Film and TV School, London

Masterclass presentation for the National Film and TV School

Other

Rapture

Featured 2021
Presentation

Evoking Stories in Sound

Featured 15 January 2022 National Film & TV School, London

Masterclass presentation for the National Film & TV School

Presentation

Stories in Sound: Animation Foundation

Featured 15 January 2021 National Film & TV School, London

Masterclass presentation for NFTS

Book

Rapture Series

Featured 31 January 2025

Drama Series Bible or book summarising story lines for all 10 episodes; character breakdowns and casting; notes on visualisation; themes for Season 2