Leeds Beckett University - City Campus,
Woodhouse Lane,
LS1 3HE
Philip Robertson
Senior Lecturer
Philip Robertson is an Internationally renowned Cinematographer who also serves as the Senior Lecturer in Cinematography in the School of Arts. Robertson trained at the Russian State Institute of Cinematography in Moscow (VIGIK) and is a graduate of the Northern Film School.
About
Philip Robertson is an Internationally renowned Cinematographer who also serves as the Senior Lecturer in Cinematography in the School of Arts. Robertson trained at the Russian State Institute of Cinematography in Moscow (VIGIK) and is a graduate of the Northern Film School.
Philip Robertson is an Internationally renowned Cinematographer who also serves as the Senior Lecturer in Cinematography in the School of Arts. Robertson trained at the Russian State Institute of Cinematography in Moscow (VIGIK) and is a graduate of the Northern Film School.
Robertson has an impressive International body of work ranging from Feature Films, TV Dramas, Commercials to Documentaries.
The TV drama strand of his career embraces most genres and budgets - from gritty Northern comedy such as Ideal (Johnny Vegas - Best Comedy, Royal Television Society) through lush costume dramas such as Larkrise to Candleford to BAFTA winning single dramas such as Zig Zag Love (director Gillies McKinnon BAFTA, Small Faces).
Robertson has won numerous National and International Awards for his work, which include two prestigious Kodak Vision awards for cinematography; one for his first Feature Film Beyond the Ocean (2000), the other for the critically acclaimed Frozen (2005 Shirley Henderson BAFTA).
His Feature Film work includes You And I (director Roland Joffe - The Killing Fields,1984 and The Mission, 1986 Oscar nomination for Best Director), Rokland (Martin Thorsson, Varieties '10 directors to watch') which was nominated for four Eddas (Icelandic Oscars), one for best Cinematography, Clive Barker's Books of Blood and Universal Studios Werewolf The Beast Among Us.
Robertson was Cinematographer for Shok which received an OSCAR Nomination for Best Live Action Short Film - Kosovo first OSCAR nominated film.
Academic positions
Senior Lecturer in Cinematography
Leeds Beckett University, Northern Film School, Leeds, Yorkshire | 09 November 2015 - 06 November 2022Head of Cinematography
Northern Film School, Leeds School of Arts, Leeds, West Yorkshire | 06 November 2022 - 31 January 2025
Non-academic positions
Director of Photography
various production companies such as Universal , Lionsgate ,BBC etc, worldwide, worldwide | 01 June 2001 - 01 December 2025
Degrees
M.A in filmmaking - Cinematography
Leeds Beckett University, United Kingdom | 01 July 2000 - 01 July 2001
Certifications
pg/dip in Filmaking
Leeds Beckett University | 05 June 1998 - 05 May 2000
post graduate diploma in filmaking (specialisation Cinematography)Higher Education Academy Fellowship
The Higher Education Academy, London | 05 January 2018 - present
Fellow of The Higher Education Academy of the UK - Professional Standards Framework for teaching and learning support in higher education. .
Postgraduate training
Invited participant DOP masterclass in Cinematography Budapest 1999
Hungarian film school Budapest, camera, HungaryInvited participant DOP masterclass in Cinematography Budapest 2001
Hungarian film school Budapest, HungaryPost Graduate Certificate in Academic Practice (PGCAP)
Leeds Beckett University, Leeds, Leeds, United Kingdom
Languages
Russian
Can speak and understand
Research interests
Robertson has a keen interest in auto-ethnographical approach to research, as it relates to his numerous and varied work.
Robertson continues to research cinematographical innovations that will have a relevance to his professional life as a Cinematographer and considers the impact/implication to inform his teaching. For example, he is active in researching the effect of digital technologies (Robertson is currently involved in a documentary on this very subject) on the art of Cinematography and the effect these cutting edge technologies have on his art form/visual storytelling. A related interest of Robertson's is how new medias and platforms are having a dramatic effect on how society "consumes the image".
Publications (58)
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VR 360° 3D short film for Trees for life - Rewilding the Scottish Highland Project
Interrogating the role of traditional production practice in modern immersive filmmaking 3D and 2D - testing modes of practice on location.
Victor Newsome Biography Video
A Timeline of Victor Newsome's life and work for Tate Britain Archive
LARK RISE TO CANDLEFORD EXP 7&8
ZIG ZAG LOVE
1 hr Contemporary Drama shot on HD Location: Scotland
THE DEEP
Self Control Holby City
Flesh and Blood Holby City
holby city At First I Was Afraid
HOLBY CITY XVII 2 x 1hr I Am What I Am Not
SHOK
The friendship of two boys is tested to its limits as they battle for survival during the Kosovo war.
COLD HEAVEN
RESURRECTING BILL
HOTEL BABYLON 2
BEYOND THE OCEAN
feature film set in Russia and New York
JEKYLL & HYDE
A QUIET DRINK
THE SWORD OF GOD
YOU AND I (Previously Finding Tatu)
Contemporary Drama shot on HD Locations: Russia & Los Angeles
BOOK OF BLOOD
Clive Barker Horror shot on HD Location: Scotland
FREEFALL
ROKLAND / STORMLAND
Contemporary Drama Location: Iceland
THE VINTAGE
Contemporary feature film - Thriller
Werewolf: The Beast Among Us
FROZEN
contemporary drama feature film
DAYDREAMS
A slice of contemporary life in Syria
Title: Making of the Film “Shok” (Albanian for Friend) and Changing Lives: Bringing the story of incidents that happened in Kosovo to a worldwide audience through the media of narrative filmmaking and my contribution to this (as a creative and interperative process that culminates in the authorship of an original work of art) - the Cinematography.
LOVE STORY
EITHER/OR
Mark Gillis, Exec. Producer Emma Thompson comtemperary drama set in London
luck bugger
A moment in a boy's life when he becomes aware of his own sexuality. In the dunes along a deserted beach he spies two men kissing. Although no words are spoken he agrees to keep their secret and wanders back to his parents.
The making of the film “Picture Perfect” - changing lives: enriching community life and film culture through bringing the “magic realism” film, “Picture Perfect”, to a worldwide audience through the media of narrative filmmaking and my contribution to this (as a creative and interperative process that culminates in the authorship of an original work of art) - the Cinematography.
PBE Practice Based Enquiry/Practitioner Based Enquiry Practice based research and interpretation allowed a cinematographic aesthetic unity to be constructed. Pedagogical research led to the creation of a deeper understanding of the profound themes explored within the narrative of the film. These processes led Robertson to construct a visual and created a unity of authorship for the aesthetics of this film
The making of the film “Shok” – my research which took the form of an analytic auto-ethnographical practice based enquiry, exploring and documenting the creation of a visual aesthetic. This research details my immersive process/preparatory research and Cinematographic poiesis /praxis and methods of disseminating the work to students. Use this case study for undergraduate and post graduate teaching in exploring the Cinematographic impact on the visual narrative. In my workshop-based teaching it forms a concrete example to explore lighting, composition and camera-placement for this specific story and narrative view.
DRUG DRIVING together with 50 plus adverts for companies such as Scottish Widows, The Scottish Executive, Children With Aids Charities,SSPCA, The British Legion etc
highlights of awards won for commercials YDA Cannes Lion Scottish Advertising Awards - Best Commercial Under 20k Scottish Advertising Awards - Best Commercial Under 20 Seconds
Ref 35 2021 outputs/Research outputs
On the 11th of October 2016 I gave a research seminar to my fellow academics on my research and working methods on this Oscar nominated film “Shok”. Short Film Shok Period War Drama On Location: Kosovo - 22 minutes (Release Date U.S.A 11th April 2015) Director Jamie Donoughue Producers Howard Dawson, Eshref Durmishi Exec Producer Harvey Ascott Production Co. Eagle Eye Media OSCAR Nominated Best Live Action Short Film; Best Film: Berlin Interfilm Festival, Manhattan, Sunscreen, Holly Shorts & Washington DC; Jury Award: Aspen Shortsfest &San Jose International Total 24 International awards My other intended research outputs are as follows again exploring my working methods and rationale: 1.Holby City (standalone)At First I Was Afraid - 1hour (Broadcast 22nd September 2015) Director: Julie Edwards Jane Wallbank, Exec. Producer Oliver Kent Production Co. BBC Drama 2.Holby City I am What I am not - 1 hour (Broadcast 2nd December 2014) Director Dan Wilson Producer Jane Wallbank, Exec. Producer Oliver Kent BBC Production Co. BBC Drama 3.Holby City Flesh and Blood - 1 hour (Broadcast 24th November 2014) Director Dan Wilson Producer Jane Wallbank, Exec. Producer Oliver Kent BBC Production Co. BBC Drama 4.Holby City Self Control (standalone New Year special)-1 hour (Broadcast 7th January 2014) Director Julie Edwards Producer Oliver Kent Exec. Producer Simon Harper Production Co. BBC Drama 5.Short Film Inextremis Horror film 14 minutes (Release Date: 2 March 2015 USA) Director: Gregory Crosbie Producer Rick Molland Production Co: Hard Fabric 6.Short Film Picture Perfect Contemporary Drama 30 minutes (Release Date U.S.A 8th April 2014) Director Irina Izmestieva Producer Rebecca Knapp Production Co: IZM Productions Best Short Film at four film festivals — the 47th WorldFest Houston International Film Festival, the Cyprus International Film Festival, the Corinthian Peloponnesian International Film Festival and from the Venice Event Academy at Mestre Film Festival Total 5 International Awards. I also intend to research, write and contribute the following articles and film outputs as educational tools for my students: 1.Northern Film School Book Chapter Cinematography (dual Author with Mark Carey) 2. The effect of digital technology of the Art of Cinematography A documentary film (which I will shoot and director) exploring the effects of digital on the role of the cinematographer. (I will be working toward setting up interviews at Camerimage 2017) 3 Journal article Jack Cardiff “The father of Cinematography?” 4 Journal Article “A rebuke of Auteur theory John Alton the true author of Film Noir? I am will apply Autumn 2017 to Leeds Beckett University to do a PhD by existing published work my intended PhD proposal will be an auto-ethnographical approach to research, "From script to screen, the journey to cinematic images", in relation to some of my 10+ feature films. This will be submitted by the Autumn PhD deadline. In parallel I am currently setting up a 360 VR research group whose objectives and criteria are as follows: Having now witnessed and been involved firsthand in the ongoing debate presented at the “Lights, Camera, Interaction” seminar in Helsinki, I am excited to explore the benefits and questions that this new technology brings to the University. To this end, I propose that the film school purchases a 360 camera with three dedicated headsets. My initial research will seek to form a “base level” of understanding. I believe shooting with 360 camera in my practical cinematography workshops, manipulating the footage for presentation to the students, this initial “test” should allow me to begin “to understand the dynamics and implications of interactions among people”. As a result of the feedback, I will design other tests, building on my initial results. Combined with my ongoing research and correspondence with the Lights Camera Interaction conference/research group. I will start forming and shaping ideas of the language and guidelines that 360 VR can offer.
In Extremis
DONNA
A day in the life of an unappreciated little girl. .
BABYFATHER 2 8 40minutes eposides
Once upon a time, men were men and women were glad of it. Now the sexual revolution has moved the goal-posts, leaving men wondering just what the rules are. Four men are about to have their lives turned upside down.
COWBOYS AND INDIANS
Chaos ensues when a run down club is double booked by a country and western appreciation society and an Asian birthday party.
ROOM 11
IDEAL Series 1 & 2 - 16 x 30’ Comedy Drama Series
LORD OF THE FLEAS
When your bonfire is stolen by a rival gang, there is only one thing to do. Head through no-man's and and steal it back
Broken Wings
A coming of age story when a young boy who has been saving for a trip to an air show realises his father has stolen his money for a gambling habit.
Picture Perfect
Grumpy pensioner David learns the transcendence of love when he buys an antique picture from a car boot sale..
Blindside
A young man awakes in hospital blinded in one eye. Over the course of a day he sets about revenge on those who gave him his injury.
Tess of the D'Urbervilles
The story of Tess Durbeyfield, a low-born country girl whose family find they have noble connections.
Mercenaries
Tess of the D'Urbervilles
BLACKOUT
Flying bin bags, missing sofas, broken lifts and a complete power failure make an interesting night for tenants of a council tower block
LUCKY BUGGER
A moment in a boy's life when he becomes aware of his own sexuality. In the dunes along a deserted beach he spies two men kissing. Although no words are spoken he agrees to keep their
Something Blue
Steve doesn't seem too keen on getting married. He gets up late, has to be dragged to church by his best man and gets nervous when his bride doesn't arrive - or does she?
Scribble
Focusing on our preoccupation with technology, 'Scribble' is a film which concerns the story of a transcriptor who can't keep up with dictation, and finds she can't type with the accuracy she should.
Does God Play Football
An endearing tale of faith, fate and fantasy with the odd miracle thrown in.
Briefing
Since the war on another rogue state is going so well, United States Secretary of Defense D. Crockett Bunker, in an understandably bullish mood, openly briefs reporters in the Pentagon
Ma Boy
Puffins mate for life, but are humans capable of the same, wonders troubled teenager Isla, stuck in the confines of a small seaside cottage with sexy mother Ali, boyfriend Gav and their baby.
The Applicant
Surviving Evil
A TV documentary crew arrive on a remote island in the Philippines to film a survival special. Their back-to-the-wild adventure proves to be more terrifying than they ever could have imagined.
Confession
Karen and Phil's relationship reaches a crisis point when Phil cheats on Karen with the new girl at work and Karen falls pregnant with Phil's child. Karen must also deal with a problem
Current teaching
- BA Filmmaking across all years (Cinematography)
- MA Filmmaking (Cinematography)
Teaching Activities (3)
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University of East London TLMH (Talent Lab and Media Hub) (BA Media and the Screen) - Visual Storytelling.
06 December 2004 - 04 December 2006
HND, BA and MA - courses taught range from the Fundamentals of Camera/Visual Storytelling, Advanced Camera/ Lighting and Documentary Filmmaking to Cinematography Masterclasses (digital and film).
06 May 2002 - 04 December 2017
(BA Acting) - Acting for the Camera
02 September 2002 - 05 June 2006
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Philip Robertson
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