Molly’s research focuses on case studies of utopian potential in DIY and participatory community and culture. Her work draws from Blochian utopian analysis of cultural production, Munoz’s queer utopian hermeneutics, and Cooper’s theory of everyday utopia. She has written about:
The theatre of Maria Irene Fornes
Zine community and culture
A participatory arts company and community café
The practice and production of safe space
as sites of utopian potential. Currently, she is interested in the generative capacities of loss as contributing to ideas about the future – specifically, how much of what we wish for comes from what we wish to leave behind.
As a research fellow on the Waste/Land/Futures project, Molly is contributing to the project’s work with communities in sites of abandonment, loss, and renewal, exploring how co-creating utopian narratives with intergenerational communities makes space for underrepresented stories and desires for the future.
Publications (2)
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Journal article
Loss and the Production of Community Archives
01 July 2024 Cultural Politics20(2):289-304 Duke University Press
This visual essay concerns the generative capacities of loss in the production and maintenance of community archives and archiving communities. In archival sites, the loss of space through the collection of items, as well as degradation and wear and tear, is a concern that traditional archival practice seeks to address, manage, and mitigate. However, through the discussion of two case studies—a participatory arts company in Stoke on Trent and zine archives and libraries in Manchester and Birmingham—loss can materialize as presence, through damp and clutter, evidence of community activity, and debate and discussion. Furthermore, the author argues that loss is generative of archives themselves by drawing from the ongoing work in the two sites, as well as the emergence of archival practice and debates specific to the communities themselves.
Journal article
Unfamiliar Archives
01 July 2024 Cultural Politics20(2):325-336 Duke University Press
This article documents the roundtable “Unfamiliar Archives,” which took place as part of a two-day event to mark twenty years of Cultural Politics. Drawing from a range of “archives in the making” related to activists, artists, social theorists, and digital media practices, the participants reflect on the political, ethical, and epistemological provocations offered by their specific archival encounters. In particular, the participants reflect on the way their experiences of negotiating archives were inflected by their own initial unfamiliarity with the norms and protocols of archival research. To conceptualize these experiences, the participants orient their discussion around three terms that, they suggest, are generative for evoking the cultural politics of contemporary archives: estrangement, secrets, and loss.
Prior to undertaking the post of Research Fellow at Leeds Beckett, Molly has taught across humanities and social science disciplines, including:
Politics of Representation: an introduction to literary and critical theories of representation.
Research methods training covering empirical research in social science and humanities, creative methods, and ethical research
Rights, Resistance, and Social Change: an introduction to historical and contemporary methods of grassroots activism and protest movements
Her teaching interests align with her research specialities of DIY and participatory culture, and theories of utopia and social change. In addition, Molly's teaching utilises creative approaches to make critical theory and research methods accessible. Molly is in the process of finalising her FHEA qualification.
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